Right, so the whole thing is basically a loop. Murdoc Niccals, that green skinned bassist with the permanent hangover face, is going at it with Noodle. She's all grown up now, not the little kid from the Clint Eastwood video, which is a mental hurdle you just have to vault over and never look back. The art style is that specific era of flash animation, deliberately rough, like a sketch someone did on a napkin after a few too many. It's not trying to be polished, it's trying to be a dirty little secret you found on a forgotten corner of Newgrounds.

The loop itself is just them on a bed, her on top, doing that reverse cowgirl thing with a focus that's almost clinical. The animation is a short, jerky cycle. Her back arches, his hands grip her hips, and it's all about the rhythm of it. The sound is just a basic wet noise on repeat, which after thirty seconds starts to sync up with the ceiling fan in my head. There's no music, which for a band known for their sound is a weird choice. A dirty bassline would've done wonders. The whole point, the grand finale, is the anal creampie. That's the loop's climax, then it resets. It's as straightforward as a puddle of spilled noodle broth.

I spent an unreasonable amount of time staring at the background. There's a poster on the wall that's just a blur of colors. Is it a Kong Studios poster? A tour date? It's so blurry it's basically a rorschach test. My brain decided it was a badly drawn picture of 2-D looking disappointed. That one detail, that non-detail, became the whole experience for me. The sex is just the delivery system for that one blurry poster. The game knows what it is, a quick hit of animated smut with characters you recognize, and it doesn't pretend to be anything else. I just wish the loop was a tiny bit longer, maybe a different angle before the reset. But it's not. It's this one thing, forever.