Follow the tale of Satoshi and Mary, who share a passionate bond yet lead an unremarkable life as trainees. Life for them is plain and far from luxurious, filled with the mundane challenges of being trainees.

Without warning, Satoshi's uncle invites them to indulge in a prepaid holiday at an isolated resort. With barely a second thought, they accept, unaware of the secrets the resort harbors, and their journey is about to take a thrilling, unpredictable turn.

The resort becomes a stage for tests of trust, desire, and loyalty that threaten to unravel what they have. Even those they once trusted begin to sow seeds of deceit, making fidelity a fragile line to walk.

The more they uncover, the more they realize that survival here means confronting not just external threats but the desires simmering within. Their connection will be tested by raw emotions and dark temptations, challenging everything they thought they knew about each other.

It’s a high-stakes game of trust and temptation where every choice could mean salvation or heartbreak. Play now and uncover if love can truly conquer the darkest desires lurking beneath the surface.

The first time Lena touches herself in the library basement, it's not even a full scene. Just a paragraph. A flicker of lamplight, dust motes floating like dead pixels, and her hand drifting down while shelving some moldy grimoire. The game doesn't show anything. It's all text, all that internal monologue that reads like someone's diary written in half sentences. And somehow that's worse. Or better. Depends on what you're here for.

This thing is unpolished on purpose, I think. The AI generated art has that glossy, slightly wrong look, like a mannequin that's been left too close to a heater. Faces melt a little at the edges. But the writing, man. The writing is doing something weird to my brain. It's a visual novel about this sheltered girl Lena who starts working at some ancient library, and immediately there's this presence. Not a ghost exactly. More like the library itself is horny. Books whisper. Shadows pool in ways that feel intentional. And Lena, she's not being corrupted so much as... unfurling. Like a fern. A really, really sexually frustrated fern.

Gameplay wise it's barebones. Click to advance text. Make choices that branch the narrative into different flavors of psychological unraveling. There's a scene with a mirror that I won't spoil but it involves her reflection moving independently and let's just say mirrors don't have hands. The pacing is like a pot of water on the lowest possible flame. You forget it's even on, then suddenly it's boiling over and you're reading about tentacles made of ink and parchment and wondering how you got here. The lgbt elements are there but subtle, more about self discovery than labels. One of the other librarians, a woman with silver hair and too many rings, keeps appearing in Lena's dreams. Or are they dreams? The game never clarifies and honestly I stopped caring about the distinction around day three in game time.

Wish the sound design existed. There isn't any. Just silence and your own breathing. Maybe that's the point but my apartment gets creaky at night and every noise became part of the experience. Not sure if that's genius or lazy. The psychological horror tag is earned though. Not through jump scares but through this slow dawning realization that Lena's desires are reshaping reality itself. Or maybe she's just losing her mind. The game doesn't pick a lane and I respect that even though it makes me want to throw my laptop.

Our narrative kicks off with a familiar scene - a fresh-faced girl moves to a bustling city full of promise, and immediately finds herself surrounded by endless possibilities and alluring challenges that test her resolve. At the center of it all is Eva, whose soul and mind are caught in a fierce battle between innocence and temptation.

Witness Eva's journey as she grapples with the intoxicating freedom and crushing pressures of city life. Guide Eva through moments of joy and despair, shaping her into someone either empowered or broken.

Beyond the surface, the game explores Eva’s innermost thoughts and the intense emotions driving her decisions. The game’s immersive narrative makes you live Eva’s emotional rollercoaster firsthand.

Shape Eva’s destiny: nurture her light or watch her succumb to the thrilling darkness surrounding her. Start playing today and take control of Eva’s fate in a city that never sleeps.

So VN Maker games usually have that... feel, right? That slightly stiff, click through everything vibe. Wicked Choices 2 leans into that hard, but then there's these Karma scenes where it all melts. Her presence. She's supposed to be this cosmic force fixing timelines or whatever, but the real plot is her perfect, terrifying body. The 3DCG models are honestly kind of jank on most characters, plastic skin and dead eyes you skip past. But Karma. The rendering budget clearly went on her dick. And they know it. The domination and corruption tags aren't just buzzwords, the game orbits around her knocking up some poor terrified guy named William as punishment. The "punishment he deserves" part of the plot is just a flimsy excuse for a futa scene that goes on for, like, fifty clicks of pure, degrading vaginal.

The audio design is a crime. It's just some looping synth drone that made me think my laptop fan was dying. I had to mute the tab and play my own playlist which weirdly synced up once during a lesbian corruption scene between two other characters who I'd already forgotten the names of. You're the Antichrist, I think, or his uncle, some male protagonist the game forgets about for huge stretches while you just... watch Karma be the main character. Which is a relief, honestly. The writing tries to do this epic fantasy tapestry bullshit but you're really just clicking to get back to her. Every choice felt like it funneled me toward her. I clicked an option to "defy fate" and ended up watching her force a new soul into some woman's womb five minutes later. Not a complaint.

The corruption mechanics are barely there, a single visible slider that fills up but doesn't change anything until a flag trips. Felt pointless. But then there's this one post scene where Karma just holds William's chin and whispers about rewriting his very existence while she's still inside him, and the weird lighting glitch actually made her eyes glow. For a second, the jank became art. Then the next dialogue box was about a Tapestry I don't care about. I never finished the first book.

The pool water is too blue. That's what I kept thinking while Sophia's neighbor, this woman with hips that don't quit, was showing her how to "relax" by the water. The game looks like someone rendered it on a phone from 2016, but somehow that makes it hotter? Like finding an old Polaroid you shouldn't be looking at. The shadows don't make sense and the skin textures have this plastic sheen, but when Sophia's fingers drift somewhere they shouldn't while her husband's voice echoes from inside the house... I forgot about the graphics completely.

You're clicking through choices that feel wrong. Not morally wrong, but wrong like you're reading someone's diary. Sophia's got this whole life, teaching job, kids who need lunch money, and then there's this moment in the faculty lounge where a colleague's hand lingers just a bit too long on her thigh. The game doesn't ask you to be good or bad. It just... waits. Watches. The exhibitionism stuff sneaks up on you. One minute you're gardening in the new backyard, the next you realize the fence has gaps and the gardener hasn't moved in five minutes. Does Sophia notice? Do you make her notice? The game remembers. I think. Maybe it doesn't. Hard to tell with these choice-based things sometimes.

The romance path with another mom from the PTA meeting caught me off guard. They're sharing wine, complaining about husbands, and then suddenly they're not talking anymore. The oral scenes have this desperate quality, like Sophia's trying to taste something she's been missing for years. The cheating elements don't feel glamorous. They feel humid and confused and a little sad, which is probably more honest than most games in this genre. My only real gripe, and I'll never get over this, is that the text boxes sometimes cover the best parts of the renders. Like, hello? I'm trying to see what her hand is doing and you're giving me dialogue about mortgage payments? Priorities, developers. The MILF tag is accurate but feels reductive for what's actually happening here. Sophia's not just a type. She's a woman who married young and moved to a city that's sweating with possibility. Whether she becomes a "filthy whore" or whatever the description says, that's almost beside the point. The real tension is watching someone realize they've been asleep for twenty years. The masturbation scenes are where the game actually shines, weirdly enough. Alone in that big new house, kids at school, husband at work, and Sophia just... exploring. The sound design is nonexistent but your brain fills in the wet noises anyway.

Everything here starts with a corpse and a really bad idea. Your ex is dead, the cops clearly don’t give a shit, and instead of letting it go like a normal person, you decide “yeah, I’ll poke the supernatural hornet nest and see what bites.” Right away the game throws you into this fake-normal city where the barista might be an ancient tentacle thing in uniform, the cute police officer is very much not human, and your new neighbors are either ninjas, elves on “vacation,” or housewives who definitely cheat on their husbands but also kind of want to creampie you on the kitchen counter while the kids sleep. It’s that weird mix of murder, horny, and comedy that feels like someone smashed a detective show and a Konosuba parody together and just left all the messy parts in.

You pick if you play as guy or girl and it actually matters, not just in a “haha pronouns” way. As male MC I got pulled into a harem mess fast: big tits teacher grabbing my cock “for evidence,” a thick step mom type who pretends she’s worried about me then grinds on my lap during “comfort,” some smug elf with big boobs teasing and groping in the middle of talking about the investigation like that’s normal, and a married woman who keeps sending me pics on my phone while her husband sits in the next room watching anime. There are scenes where you’re trying to question a witness and it just turns into oral under the table, or a titfuck against the wall in some smoky club, and the game treats it like “yeah, this is just how supernatural society works.” Sometimes the sex is actually sweet romance, like soft kissing and slow vaginal, then suddenly the same girl is begging for your big cock in her ass five minutes later because something corrupted her aura or whatever. It feels trashy and funny and strangely cozy. And then it hits you with an NTR-flavored branch where your “love interest” is moaning for someone else behind a paper-thin door while you watch through a crack, and the worst thing is that it’s hot. There’s also girl MC content where you can be the one getting groped in crowded trains, fingers under your panties during questioning, or pushed to your knees by a milf cop who wants to “test your tongue,” plus occasional lesbian stuff with another student who acts shy until she’s licking you clean. Tentacle scenes show up exactly when you think “okay, it can’t get weirder,” and then it does, with dripping wet animations and that mix of fear and arousal that probably says something bad about us but whatever. One moment you’re doing actual choices to follow clues about who killed Lisa, trying to connect motives in your head, the next moment you ignore a plot lead because the big ass ninja girl in leggings is pressing you into the dojo mat and whispering how she wants your cum inside her while her master meditates in the next room. Sometimes the humor hits hard, like Aqua-tier useless goddess energy and stupid supernatural bureaucracy, sometimes the jokes miss and you just want to skip to the next hidden sex scene or teasing sequence where someone “accidentally” sits on your face. And there is this annoying little UI sound that keeps playing when you open the phone menu and I swear it’s going to haunt me more than the actual ghosts in the game, but I still kept clicking it anyway, like a degenerate Pavlov dog.

Monica. Even the name sounds like someone who'd key your car for parking three inches over the line. This isn't some sweet corruption story where a shy girl gets slowly introduced to, you know, things. No, this starts with her already being the absolute worst person in HR history, dripping in luxury and disdain. You're basically a fly on the wall as her perfect, bitchy life starts getting holes poked in it. And the holes get... very literal, very quickly.

The animation style is that specific 3DCG look that's either a complete turn-on or makes everything look like a weird mannequin fever dream. For me, the spanking scene early on hit that perfect uncanny valley where it was hot and hilarious at the same time. The sound effect was just so flat. Like someone slapping a wet napkin. But the power dynamic is what sells it. You see her use a sex toy with the same bored, commanding expression she probably uses to fire interns, and then later, when the blackmail kicks in and she's doing a footjob in a grimy back alley... chef's kiss. The whiplash from her marble bathroom to a dirty mattress is the whole point. There's this one voyeurism bit through a window where the game just lets the scene loop with this grainy filter, and honestly, I forgot to click for a solid two minutes. It's a sandbox, so you can poke around her decline, but don't expect Stardew Valley levels of depth. You're just choosing which humiliating or explicit act she gets pressured into next.

The prostitution and stripping mechanics are as clunky as you'd expect from a browser game. Lots of clicking, sometimes the prompts don't line up right. I got weirdly fixated on a minor detail in one of the lesbian scenes, a background wine glass that kept clipping through the table. It was all I could see. Meanwhile, the titfuck scene has a genuinely ridiculous jiggle physics setting that makes everything look like it's underwater. The oral sex and creampie moments are exactly what you think they are, no subtle artistry, just the messy culmination of her social free-fall. It's a game about watching a rich bitch get ruined, and on that front, it delivers without pretending to be anything deeper. Just don't expect the mobile controls to be anything but a test of your patience.

Priscila’s tits bounce with this weird, jerky animation during the first casting couch scene. Not like, good bounce. More like a GIF from 2008 that didn’t load right. And I couldn’t stop watching. Something about the unpolished 3DCG, the way her eyes go glassy when the director’s hand slides up her thigh, it hooked me faster than the polished stuff on Nutaku ever does. The game’s about a teen model, right? She’s climbing that shiny ladder, all photoshoots and fake smiles, until this sleazy director dangles the big break. You know the deal. Except the corruption here isn’t some slow burn, it’s a messy, horny avalanche.

The lesbian scenes with her rival model? Fumbling, awkward, tongues that clip through cheeks. Perfect. Reminds me of that one cosplay meetup where I tried to do a sexy Yoruichi pose and my wig fell into my mouth. The group sex later, with the crew joining in, feels like a fan-service episode that ran out of budget but not enthusiasm. Vaginal, oral, handjobs, all animated with this rough edge that somehow makes it dirtier. Like peeking through a pixelated window. Masturbation sequences are weirdly long though. I tabbed out to check Twitter during one and forgot it was running.

Why does the sound cut out during the groping on the runway? No music, just wet noises and Priscila’s breath hitching. It’s jarring. I think it’s a bug. Or maybe intentional, to make you focus on the harassment. The game never explains. Sexual harassment is basically the whole plot engine, and it’s not subtle, it’s just there, grinding against you. Corruption tag is earned, I guess, but sometimes I wanted her to push back harder, you know? Then she’d moan and my brain would short-circuit. The handjob scene in the limo, her fingers trembling, the director’s zipper sound too loud, that’s the moment I realized I’d been playing for an hour without blinking. Or maybe I’m lying. Maybe it was twenty minutes. Time does that weird stretchy thing when the game’s this unpolished and this honest about what it wants to show you.

The first time I loaded Ariana's story, I was not ready for how long that intro is. It just keeps going, scene after scene, and I mean that in the best way. You get her whole deal, this master thief who is way out of her depth, caught between the Inquisition, some shady Mage, and a literal sex cult calling itself The Orgy. The plague in Pyrewood does not just kill people, it turns them into these desperate, fuck-drunk versions of themselves. And Ariana's girlfriend is in danger, so she has to pick a side. Or sides. The game does not judge you for bouncing between factions.

I spent way too long just wandering the village after the intro. There are scenes tucked everywhere, not just in the quests. I clicked on a random barrel and suddenly Ariana was getting double-teamed by two plague victims. The animation is simple but it works, that kind of rough, unpolished 2D style that reminds me of old Newgrounds stuff but with way more cum. Bukkake scenes are generous here. The corruption path with The Orgy faction, that is where the game really opens up. Tentacles, pregnancy, public masturbation in the town square while villagers watch. One quest had me infiltrating a ritual that ended with Ariana on her knees, belly already swelling, while a mage summoned something with too many limbs. The writing during that scene was surprisingly hot, describing how the tentacles moved inside her, how she stopped fighting it halfway through.

The faction quests are not balanced at all. The Inquisition has three, the Mage has one, The Orgy has six. It feels lopsided but honestly, the Orgy content is the best so I did not mind. There is this one minor detail with the inventory system that bugged me, items just sort of appear and disappear without much logic. I lost a key once and had to replay twenty minutes. But then I found a hidden scene in the church cellar where Ariana confesses her sins while touching herself and the priest just watches, and I forgot why I was annoyed. The game is messy and horny and does not pretend to be anything else.